We couldn't think of a better way to honor him. This student athlete will exemplify the qualities of hard work, dedication, loyalty and commitment to their team, Athletic Department, and community. The Geoff Hassard Commitment Award will now be an annual award given to a student athlete that embodies the traits of Geoff. Hooper continued, "To honor Geoff's legacy, I proposed, and the entire athletics department staff agreed to create an award in his name. Geoff is the history of Oneonta Athletics and epitomizes what it means to be a true Red Dragon, he is red and white through and through." He has had an impact on so many individuals in his time at the college, including thousands of students. I cannot put into words what he has meant to this Athletic Department and to this campus. "Geoff has been a staple within the department for 23 years and has played many roles over that time, Sports Information Director Assistant Athletic Director serving on various campus committees, including serving as the Chair of the Hall of Fame Committee supervisor mentor colleague and friend. "First off, I want to thank Geoff for all his hard work and dedication to the Athletic Department, and to also congratulate him on his retirement," said Hooper. Each show is 2 hours in length, beginning at the initial start time.SUNY Oneonta Athletics Director Ryan Hooper is announcing that Assistant Director of Athletics and Sports Information Director Geoff Hassard will be retiring after 23 years at the college. WONY is operated on a 24/7 freeform broadcast. Dave Ring, Alumni Chair Liz White, baconer Mike Engelbrecht, digital archivist Alan Stevens, website manager Rick Heil, and the Chief Engineer, Dr. Andrew Bottomley, former faculty advisor Dr. Other important figures at WONY include the station's faculty advisor, Dr. In October 2020, the move from Alumni Hall to Hunt Union was completed, a month after the anticipated completion. In January 2020, official plans were confirmed for the station's move to Hunt Union, which anticipated completion in September 2020. In January 2018, the State University of New York College At Oneonta announced the station's move from Alumni Hall to Hunt Union with an expected completion before the beginning of the following semester. WONY is also home to the Sparaco Lounge, which is named after the station's first General Manager, Mr. CDs are sorted and reviewed here, using the station's Macintosh G3. The Music Office is a place for the genre directors to work. The Operations room houses WONY's important documents, miscellaneous equipment, and webcasting server. The news is recorded into WAV format using Adobe Audition software. Studio B contains an Alesis mixer, a Shure SM7B microphone, and a customized computer. The second News Studio ("Studio C"), which was outfitted as a small recording space, is now the Operations Director's workspace, as well as a storage space. As of April 2013, "Studio B" is now being used to record News and Station ID's. The Music Library houses WONY's collection - at last approximation, it exceeded 12,000 CDs. The main control room of the station ("Studio A") contains the on-air equipment: the console, the main engineering rack, five microphones, two CD players (for rotation), a minidisc player, two turntables, a computer, and auxiliary cables to connect to DJs' personal equipment. The studios are located on the basement floor of the Hunt Union, across from the Red Dragon Theater and next to the Dragon Express mailroom. WONY's antenna latitude is 42.452N and longitude is 75.064W. WONY is located on the State University of New York College At Oneonta campus. It broadcasts at 180 watts on 90.9 FM and an internet webcast. It was founded in 1962 and current membership consists of over 50 students, faculty, and members of the community. WONY is the college radio station of the SUNY Oneonta.
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Google is also welcoming feedback through the app and Web about its new design and features. Our aim is to make Google+ the best place to connect around the things you care about," the California-based search giant said in a blog post. "Just because we're bidding adieu to classic Google+ doesn't mean we're done working on the new one. Additionally, Google+ had earlier announced the use of new Rapid and Accurate Image Super-Resolution (RAISR) software which, through machine learning, which will allow users to see large high-resolution photos while using 75 percent less bandwidth. Moreover, Google has also added a photo zoom functionality to photos on Google+ Web. The new Google+ has also been adjusted to make the best use of the screen size and show less whitespace and more posts. This functionality will also go live on January 24. However, the Events feature will not be available for G Suite users for now. In case you want them shown, you'll need to click the 'See all comments' button.Įvents has finally been brought on board the Google+ platform, allowing users to create and join events on Google+ Web as you have in the past. Category: Photo Editing game Last Updated: Price: 49. Photozoom classic 6 review pro#In addition, low quality comments will start becoming hidden from the posts. The consumer photography software including PhotoZoom Classic 6, PhotoArtist 2, PhotoMagic and the professional imaging software PhotoZoom Pro 6 are. The old classic design is now going away from the platform starting January 24. Although users were welcomed to use the new design, they could still use the classic style. In 2015, Google+ went through a major redesign where Communities and Collections features were introduced. The new design that was launched in late 2015 will only be available starting January 24, while other major transitional changes are expected to happen later. However, its old classic look will be ripped from the website. Jokes apart, Google is now introducing more than 50 updates to Google+ across Android, iOS, and Web, including Events. If you may have forgotten, Google's social networking website, Google+ still exists. If all viewers guesses the word, the drawer will receive x * y points. #Drawit ranks minecraft plus
Concert music for listening can have a quiet rhythm accompaniment or none at all, but the rhythm of most dance music should range from a gentle but clearly audible rhythm (4) to a strong driving rhythm (10). On a rhythmic intensity scale of 0 to 10, most dance music wants to be in the 4 to 10 range, depending on the type of dance. Most dance forms are easier to dance when the beat is heard clearly, usually played by the rhythm instruments (drums/percussion, guitar, piano, techno rhythm tracks, etc.). Especially questions like, "Does this tune have the driving energy required to move the dancers?" Or, "Is the beat clearly audible?" The really important questions come next, which are the topics of the first four pointers on this page. But when DJs only answer that question with something like, "Hey, I could polka to that!" they may be heading for trouble. There's a huge tendency to ask ourselves, "What could I dance to this tune?" We all do that.does this tune make you want to waltz, or is it merely a tune in 3/4 time? Does it embody the spirit of waltzing? Does it energize that particular dance form? (Again, it's the same question for swing, salsa and every dance form.) But when you have dozens of possible tunes, then choose from the second category above, not the first. If you only have a few tunes for waltzing (or whatever the dance form is), then play whatever you have. (It's the same question for swing, salsa and every dance form.) does it make them want to waltz?" The second question is far more important than the first. There's a huge difference between the questions, "Is it possible to waltz to this tune?" and, "Does this music totally embody the feeling of waltzing. Other dance forms are gentle and lyrical, and dancers love music which sweeps them emotionally through those dances. When the music doesn't give this energy boost, fast dancing can feel like hard work. When the music supplies this energy, their dancing will feel fun and effortless, like driving a turbocharged car. Some dances require much energy to dance, like swing, hustle, salsa, fast waltz and polka.Therefore the best DJs are primarily concerned with what the dancers want.ġ) Dancers want music which drives their dancing, physically and emotionally. The focus is on how the dancers feel, not on how cool the DJ is. Great DJs know that they are there for the dancers, not for showing off themselves. They may forget what you played, but they'll never forget how you made them feel. Knowing if a tune is a good choice for a particular dance Now that this playing field has been leveled, we can look at the finer points of being an effective DJ:ġ1. That was before iTunes and then Spotify made large music collections available to anyone. Popular DJs used to be the ones with the best music collections, or had access to hard-to-find discs. Guidelines for playing recorded music at a social dance party Before going to the bridge, head to the left side, behind the van.Īs Carlos, after passing through the Hospital's Reception, players must pass through a door with a green light. It's at the end of the room, to the left.Īfter taking control of Jill again, the next Charlie Doll will be on the next corridor filled with zombies.Īfter the above, Jill will go up a ladder. The Charlie Doll will be on the left.Īs Carlos, it's in the Safety Deposit Room. When playing as Carlos, do not enter the Police Station but instead head to the Guardroom corridor, into the dead end ahead. Climb it a bit then look backwards, the Charlie Doll is in plain sight.Īfter using the Alley key, the Charlie Doll will be inside the house, before the NE-α Parasite Zombie. In the Sewers, before climing the ladder that leads to the Battery Pack, go forward on the dead end, it's behind the bars.Īfter using the Battery Pack for the last time and leaving the Sewers, a set of stairs will be in front. Inside the Toy Uncle store, it's where all the small Mega Man toys are. In the room with the Item Box/Typewriter before the Drain Deimos area, it's on the far left of the room, on top of the bookshelf. Inside the room where the safe box with the Dot Sight (Handgun) is located, it's on top of the stack of boxes. Inside the Subway Office, next to the black chair on the left. Inside the Moon's Donuts, to the right of the microwave behind the counter. After the intro sequence, players will be with Carlos, instead of going forward, go back up the stairs and look to the right. CABIN FEVER 2016 SKINELI ROTH GOT THE IDEA FOR CABIN FEVER WHEN HE DEVELOPED A SERIOUS SKIN INFECTION. Here are 14 things you might not have known about Cabin Fever. One sequel, one prequel, and one reboot later, the original film remains one of the best horror films of the past 20 years and has turned Roth into a modern master of horror. Written and directed by Eli Roth, the 1980s-style horror throwback followed a familiar genre trope-a group of college students make their way to a cabin in the woods-then turned it on its head. CABIN FEVER 2016 MOVIEThe original Cabin Fever will likely never be considered a classic and it’s not even a great film, but it’s a film that truly did not need a remake.Fifteen years ago, Cabin Fever reinvigorated the modern horror movie scene by going back to the past. The question everyone seems to be asking is, why? Why was this made? Why would Eli Roth attach himself to this? It’s a question we may never have an adequate answer to. One of the other glaring problems is, even though it’s working from the same script, it takes itself a bit too seriously, removing the comedic element, which is part of the appeal of the original. I’m referring to the overhead shot of the car traveling up the mountain road with “Dies Irae” playing over it. There is also a ridiculous homage to The Shining in the opening. The other noticeable change is the demise of one of the girls, which is drawn out and so disdainfully brutal, I questioned my decision to continue watching it. Deputy Winston, the unscrupulous officer who just wants to party, is now played by a female, but still exhibits the same voyeuristic, stoner behavior. Zarwiny or Travis Z, as he’s billed, used Roth’s original script, changing very little. Bert invites the trouble by shooting the infected Henry (Randy Schulman), who later shows up at their cabin looking for help. We have the horny couple, Jeff and Marcy (Matthew Daddario and Nadine Crocker), pretty Karen (Gage Golightly), who is keeping Paul (Samuel Davis) in the friend-zone, and Bert (Dustin Ingram), the fifth wheel. Their relaxing week of solitude is sidelined when a flesh eating virus begins infecting them one by one. The story: Five twenty-somethings rent a cabin in a remote location to drink and screw. It was like watching a re-enactment on one of those reality crime shows. It is, however, exactly the same story with the same characters so there is nothing to give it any real distinction from the original. It was set up to be a shot for shot remake, which it turned out not to be. It’s not a foreign film so it doesn’t need to be Americanized. The original Cabin Fever, the film that introduced us to Eli Roth, was released in 2002, making it not quite 15 years old and therefore not really requiring updating. In the case of the remake of Cabin Fever, it simply defies all of these things. The flip side, when a filmmaker just wants to put a contemporary spin on a classic film and does a shot for shot redo, stirs my rage. Over the last few years I’ve come to accept them and realize, when handled correctly, some remakes can actually be better than the original (i.e. The biggest reason being, they just seemed unnecessary. I used to get angry about remakes for a variety of reasons. |
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